Excavations from Wankanda
Moyo Okediji
Excavations from Wankanda I
Medium: Archaeology
2018
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Captive No More (Part VI)
Captive No More (Part VI)
17
Tanto, my grandfather’s dog
was busy harassing a lizard
when he caught the scent
of strange bodies.
He did not hear them
and he did not see them
but he could smell them
within fifty yards from him.
ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ
The idea of ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ must be difficult for those who interpret reality from the binary western tradition of male/female, living/dead, organic/synthetic, plant/animal, tall/short, high/low, liquid/solid, left/right and right/wrong or past/present.
The Proposal
The Proposal
(To the colonial master)
Oga, will you marry me,
and take me home?
I can be your second
even third or fourth wife
You look so handsome
and I giggle
METAMODERNISM: THE FUTURE OF THEORY
Moyo Okediji will be in conversation with Jason Storm
Event: The book launch of METAMODERNISM: THE FUTURE OF THEORY
When: Aug 27, 2021
02:00 PM Eastern Time (US and Canada)
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
Adetola Wewe
Adetola Wewe is with me in Austin Texas.
He is here as an artist in residence in the art center/gallery that I began recently.
He is chilling here with some àsun that he brought with him from Nigeria, and one of the local beers in Austin.