This is a throwback!
What do you see?
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Àwọn Yèyélórìṣà, Akirè Shrine Ilé Ifẹ̀, 2003.
Àwọn Yèyélórìṣà, Akirè Shrine Ilé Ifẹ̀, 2003.
After I took this picture in 2003, I returned to find the group in 2017.
But for the two women at the extreme left, all the others had transitioned.
Everything had disappeared.
There was nothing left. Absolutely nothing. Zit.
But the Irunmoles have a way of ensuring that we don’t lose everything, even though we might be careless as humans.
Oladejo Okediji
Oladejo Okediji, a handsome gentleman who also happens to be my baba, is receiving great honors from the Obafemi Awolowo University and the South West Association of Nigerian Authors–to acknowledge his contribution to African literature, at the young age of 90.
ÌWÀ
ÌWÀ
“Olódùmarè has several wives,” my father said. “Do you know that?”
We were strolling back home from his writing workshop that evening, and I was seventeen. I always accompanied him to his writing workshops where he taught playwriting
ÈRE
ÈRE My mom transitioned today and she is now an ancestor.She drew her last human breath today, this morning.My baby sister, Banke, informed me, “Maami left at 3:53 pm.”I knew she was departing. I was ready for it.
THE BUILDER AND THE PAINTER
I’m building an art gallery in Austin TX.
The gallery is now nearing completion—hopefully, it will be ready in January 2021.
It’s only a modest gallery, just to satisfy the need for an African art gallery in Texas, such a great state, yet without such a gallery devoted to the art of Africa.
The architect is Beau Frail, from Florida.
The Engineer is R.D. Hammond, from Texas.
William Shakespeare, KING CHARLES III, Act 1, Scene 1 (#4)
William Shakespeare, KING CHARLES III, Act 1, Scene 1 (#4) EGUNGUN: How, oh king, would you…
