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Woman: Ọmọ Ọlọ́mọ
Woman: Ọmọ Ọlọ́mọ
Iya Oyo had a woven basket full of unshelled melon seeds on one side, and on the other side, she had a bowl into which she dropped the shelled melons, as she worked rapidly, automatically, her fingers moving so rapidly they formed a blur if you pay attention to them.
Coffeehouse.
Coffeehouse in Austin.It can get pretty wild out here in Austin if you know what I mean.
IRONY OF A NEGRO CURATOR
When I became the Curator of African art in 1999 for a major art museum in the United States, the irony was not lost on me.How do you steal, loot, confiscate or pillage something, display the stolen or contraband goods publicly in your house, and hire the owner of the objects as the guard for the contraband or stolen goods?
A TALE OF THREE ROBBERS
My father told me the story of three thieves. He was a fiction writer, so I never knew if it was something he made up, or read up.
But let me tell you the tale if you got one minute:
Three thieves received info that a miner kept a large bundle of gold in his house. They decided they should go and relieve the guy of his treasure. “After all,” argued one thief, “he dug up this stone from the ground that God gave all of us.”
Ọ̀SẸ́ ÒTURÁ: THE ROLE OF WOMEN
“Baba Oyo,” I said one afternoon when I was alone with him, “you are very soft, too gentle, with Iya Oyo. You are not like all the other Baba I know.”
Baba Oyo laughed. “What does too gentle mean?”
“I really don’t know how to say it,” I said. “But you don’t…. When you talk with her…. You don’t argue or order her to do things. You speak softly. It’s as if you have to persuade her kind of. That’s not very manly. That’s not how the other Baba talk to their wives. Is it because you are a pastor?”