This is a throwback!
What do you see?

What do you see?
Rufus froze when he saw Obaseki moving towards our table. His jawline tightened. The grotesque was unmasking. I understood the meaning of that facial reaction. When a cobra flattens its head and its neck while lifting up its body off the ground to the torso level, even a baby knows what that means. We had crossed the red zone. I immediately got up and picked up the tumbler in front of him before it became a scud missile. My movement also distracted him for a moment. This was the climactic moment that had been building up for a year.
This work that I completed in 1980 was stolen from my house in Nigeria around 1994.
If anyone is in possession of it, please know that it is stolen work.
This work and more than fifty masterpieces were stolen from my apartment
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Where is Mama Nigeria? Is the nation motherless? Where is the Helen Sirleaf Johnson of Nigeria?…
I had never seen Papa Ru in such a subdued mood. Nothing could have slugged him harder than the thought of Kongi maltreating him. He used to boast that it was because of Kongi that he returned to Nigeria from Britain.
Kongi had attended an event that Rufus produced for the BBC in London in 1979. And after the event, Rufus said, “Kongi met me backstage and asked, ‘Young man, what are you doing here, with all this talent that you have? You need to return to Nigeria immediately and contribute to the development of your country.’”
Here is a work of fiction titled THE RETURN
Total fiction.
It is set in today.
This is part One.
I will serialize it until we get to the end.
THE RETURN (PART 1)
He was flying back home for the first time in his life.
At thirty-six, he felt that he had waited a little too long.