And it still remains legible.
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
I studied with the Ìyàmi,
the Power Mothers who
suspend the global ball
on a single frail string,
yet it cannot snap.
After they gave me the name Ọ̀rìságbèmí Arígbábuwó, I transcend the boundaries of gender, race, time, and geography.
Here is the story of that transcendental embodiment, in its most concise form.
Title: Lyrics of Joy
Medium: acrylic on canvas
Date: 2018
Where art you joy
that we all seek you
and find you not?
Joy is in eating less,
and eating carefully, simply.
Joy lives in giving more,
and consuming little.
Title: Lyrics of JoyMedium: acrylic on canvasDate: 2018Where art you joythat we all seek youand find you not?Joy is in eating less,and eating carefully, simply.Joy lives in giving more,Title: Lyrics of JoyMedium: acrylic on canvasDate: 2018Where art you joythat we all seek youand find you not?Joy is in eating less,and eating carefully, simply.Joy lives in giving more,
As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.
I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”
The countdown begins
as moments tick down
A stream of joy
when the sun
is not enough.
and when the sun
is febrile, she
offers needed shade.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
Yesterday at age 79,
Tony Allen, joined the ancestors.
Allen, born in Ghana,
was Fela’s lead drummer and bandleader
for many many years.
But the drummer is typically positioned
at the background of the stage,
and you hardly ever see them.
The singer is always in front.
I’m pleased to inform my friends that this historic painting which I completed in 1992 is now going to a home that will care for it, love it and protect it from damage and misfortunes. As the single parent of this painting, I feel a sense of loss that she is leaving me.
Henry Drewall, the philosopher of sensiotics, wrote a couple of days ago that, “Moyo mi owon — you have turned pain into paint…for us to see and feel….”
He should know. Sensiotics is the archeology of feelings within the human sensibility.
This painting shared here is about the pain and joy of departures and arrivals, as one of my Transatlantic Series: in 1992, I started it in Nigeria just as I was relocating to the to the United States, where I completed it.
Someone just purchased this work, The Middle Passage.
Smart move, I think.
Art is the smartest investment you can make.
Unlike the stock market, when the market falls, your investment does not go poof into thin air–as billions of dollars are disappearing during this COVID-19 market
Another of the paintings I just discovered in my garage.This painting, however, has the distinction of being one the oldest canvases I have in my possession—painted in 1992. It was the painting in which I had a breakthrough. It was in this painting that I unlearned everything my teachers taught me.I realize that in life, we do not see things like a camera.