a picture showing moyo okediji poised for the camera

ENGLISHMAN IN BENIN CITY, 1981 (Part Ten)

Once Obaseki realized that Iya Ngu was busting him, and called him out that it was from him that the smell of marijuana was coming, for some inexplicable reason, his nervousness reduced. He smiled and said, “Madam, it is true. I just smoked a tiny joint.”

Obaseki’s sunken face took on a different appearance. I observed his face holistically the way Madam Ngu taught me to study the human face. On my first meeting with her, in the drawing class, she took a look at my drawing and she said, “Moyo, what am I going to do with you? You don’t know how to draw. Come, let’s go to my office. You are still young. I can mold you.”