Why I love Nigeria? Why I love Africa?
Tell me, where else in the whole wide world can you make a khaki cocktail with big stout and emu funfun?
I love Nigeria I nor go lie.
Happy New Yam, friends.
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In Gambia now
In Gambia now.
This is what I saw.
What do you see?
Àkòdì Òrìṣà Artists
Many models would give an arm and a leg to look as fit as these artists at the Àkòdì Òrìṣà, Ile Ife, Nigeria!
Now, look carefully at this picture.
You will see the Àkòdì Òrìṣà artists pounding clay with pestles in a mortar. Do you notice that the mortar is upside-down, as these orisa artists are pounding the clay?
ENGLISHMAN IN BENIN CITY, 1981 (Part Twelve)
Iya Ngu stopped eating. She had not touched most of the food in front of her, and did not eat the two pieces of goat meat left in her plate after Professor Wangboje helped himself to the first one. She began to wash her hands.
“Madam,” I asked, “you are not eating the meat? It’s delicious goat meat.”
Art of Social Distancing
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Semioptics of Yoruba Language: Word as Image
On Friday, March 2, from 6:30-8pm, I will present a lecture titled, “Semioptics of Yoruba Language: Word as Image.”
The lecture takes place at the Center for African Studies, Department of African American and African Studies, of the Ohio State University.
SILICON PAINTINGS
Eight of my paintings will be shown at an art exhibition opening tomorrow Saturday, November 9, in Nairobi, Kenya.
These paintings I am showing in the exhibition are open—meaning that the paintings have no figures that can be identified as a person, place, object, tree, water or anything else that one could recognize and name. The paintings do not attempt to tell any story, nor do they illustrate any scene. The paintings are open to absorb whatever story the viewers may bring them, and they also assist in opening up the viewers’ minds to excavate memories and ideas that are in the subconscious of the viewers.
