ÌMỌ́DÒYE
ÌMỌ́DÒYE
An Akodi Orisa Sculpture
Ile Ife, Nigeria
January 2019
Artist: Moyo Okediji
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ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
“Hey, Moyo,” Hilda yelled. “Are you alright? Are you with us?”
“Yes, I am,” I responded. I pulled myself back to the moment.
The traffic was light and the road excellent. The Lagos to Benin expressway was the best road I had ever driven on. The bus zoomed along on it effortlessly.
“You went so silent and looked so vacant, I could have sworn you were not here,” Steve said.
“I was here alright,” I answered.
“Thinking about Gina?” Hilda asked.
My edited book on the work of Dotun Popoola is now out.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Dear Kicking Fetus
Dear Kicking Fetus
For Saidiya Hartman***
Why kick your mother
so hard, so relentless
right in the center
of her tender navel?
Is there something
you know about life,
about the impious ways
KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
Professor Adeleke Adeeko has used my recent painting for the cover of his new book, titled KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
It is a translation of Femi Osofisan’s book, titled CHOLERA COLLEGE.
Professor Adeeko teaches at Ohio State University, Columbus, OH.
Work in progress
Work in progress for a painting titled GOLD COIN..
Ení, Èjì Ẹ̀ta
Yoruba Numbers: Ení, Èjì Ẹ̀ta
Yoruba culture, using the Ifa dimension, is quite visual.
I therefore designed a Yoruba writing system that is essentially visual.
