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NEW MESSAGE FROM HUSHPUPPIE
Scammer: Hello, how are you doing?
Me: Very good. How about you?
Scammer: I’m fine, thanks for asking. how’s your day going so far?
Me: Excellent. Who are you?
Scammer: I’m Susan, from Idaho but currently living in Jacksonville Florida. I’m a registered nurse working with the UN nations overseas.
Facebook suggested you as someone I may know so I viewed your profile and decided to send you a request out of curiosity hoping we could get to know more about ourselves and maybe become friends.
Me: That’s great. Where are you currently working overseas?
Another African child born in this US exile.
Another African child born in this US exile. Truckloads of soldiers were speeding down the street in their huge vehicles. I felt I was dreaming but it was true:
As usual, I sat in front of my mother’s textiles shop, feeding my eyes with the typically boring activities on the narrow street.
Nothing really ever happened.
Wèrèpè
Wèrèpè má so mọ́.
Devil bean weed, stop producing seeds,
Èyí tó o so lésǐn,
The seeds you produced last season
Baba ẹnìkan ò ka.
ENGLISHMAN IN BENIN CITY, 1981 (Part Twenty-five)
Oyinbo drove us home from the burial ceremony.
Rufus and Felicia sat in the middle row of the bus. I sat all by myself at the back row. Nobody said a word as Steve drove slowly and solemnly through the city, negotiating the traffic with the dexterity of a spider moving through its tightly woven web.
When he was new, Steve found it difficult to drive through the city, because in Britain, they drive on the left side of the road, but in Nigeria people drive on the right side. Also, Steve found the drivers on the roads of Benin City extremely rough for his temperament.
Western Nigeria
When a sheep keeps the company of the dog, it learns to eat feces.
Western Nigeria was not like this when we were growing up.
II
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”