The Odo Ogbe market
I went to the Odo Ogbe market, Ile Ife.
The market women went, “Oyinbo, come give us a hug.”
This world is beautiful.
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I went to the Odo Ogbe market, Ile Ife.
The market women went, “Oyinbo, come give us a hug.”
This world is beautiful.
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Best In Africa
I was arrested for the first time at age 62. For building an Orisa house, in Ile Ife.
I made the statement to a bunch of police officers most of them young enough to be my children.
It was an act of humiliation at the least.
Iyalode: Before the Invention of Women
My grandmother, Iya Oyo, belonged to the generation of women who didn’t experience what the sociology scholar, Professor Oyeronke Oyewumi described as the “invention of women.”
What Professor Oyewumi means is that nowadays, there are lots of rules and regulations that appear to specify what a woman is supposed to do, and what she is not supposed to be.
My anti-coronavirus Esu.
I produced this Esu object and hung it in front of my door.
My house is marked safe.
When their Agent of Death is passing by, it sees the Esu object.
Esu, the gatekeeper, informs the Agent of Death that “He doesn’t live here. He lives on the other street.”
Those familiar with the Oyo-speaking parts of Yoruba country would notice that these folks refer to sugar as Iyọ̀ọ-Ṣúgà.
If they were strangers, it might confound them, because they would translate Iyọ̀ as salt, and wouldn’t understand why it is coupled with Ṣúgà, that is sugar.
William Shakespeare, KING CHARLES III, Act 1, Scene 1 (#4) EGUNGUN: How, oh king, would you…