Foluso
Akodi Orisa resident artist, Foluso.
painting, architecture, textiles, terracotta, performance.
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Akodi Orisa resident artist, Foluso.
painting, architecture, textiles, terracotta, performance.
As Rufus exited the buka, it was clear that Obaseki was disappointed.
With Madam Ngu and Prof. Wangboje present at the dining table, the circumstances for a total mediation of the crisis were perfect.
They would have just instructed Rufus to cut it, and that would have been the end. Obaseki could not have wished for a better opportunity.
But Rufus left to start his audition with his theater students without the discussion of the crisis coming up. One thing was certain: Rufus was mad and did not hide it.
Less than 1000 people are holding the entire country of Nigeria to ransom.
And they are all blind and deaf.
They are practically no more than 1000 people destroying the lives of two hundred million people.
These blind and deaf people include governors, senators, national assembly members and other appointed officials who have turned the national treasury into their mothers’ pot of stew.
They gave us an assignment when I was an undergraduate taking a Yoruba class.
We were asked to find five proverbs on mental illness.
I was in luck because Iya Oyo and Baba Oyo were visiting us in Ile Ife at that time and I found her at the back of the house, lounging.
That was easy, I thought.
Once upon a time, the Ará Ọ̀run known as the Egúngún visited Ayé for the first time and saw Ará Ayé, known as Ènìyàn or human being, for the first time.Ará Ayé also saw Ara Ọ̀run for the first time that day.Intrigued by the appearance of Ará Ayé, the Ará Ọ̀run the Egúngún wanted to take Ará Ayé back to Ọ̀run.But scared of the colorful attires and striking sculptures of the Egúngún, Ará Ayé began to run when the Ará Ọ̀run approached.
This morning, in my African Diaspora Visions class (an art history class that I teach at the University of Texas, Austin), a student from Trinidad and Tobago said, “In a hundred years, everybody in the world will be a Nigerian, or have family ties to Nigerians.”
I’m pleased to inform my friends that this historic painting which I completed in 1992 is now going to a home that will care for it, love it and protect it from damage and misfortunes. As the single parent of this painting, I feel a sense of loss that she is leaving me.