Àkòdì Òrìṣà
Àkòdì Òrìṣà:
a dream is gradually taking shape.
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KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
Professor Adeleke Adeeko has used my recent painting for the cover of his new book, titled KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
It is a translation of Femi Osofisan’s book, titled CHOLERA COLLEGE.
Professor Adeeko teaches at Ohio State University, Columbus, OH.
Make more children.
Make more children.
Many, many, many, more children.
More and more and more.
Àmọ̀tẹ́kùn kids.
Let every Amotekun woman produce ten.
Let every Amotekun man make 50.
There is food in the land to feed them.
The Crossroads
I went into my garage and found a harvest of forgotten canvases waiting for me.
This corona break has given me some time to look at what I already have produced.
This is the last painting I did in 1992, just before leaving Nigeria.
You will notice that it is made from gouache.
The beginning of time.
The beginning of time.
Is it a house?
Or a kolanut?
Is this thing an insect inside the mystery of life?
CORONAVIRUS INCANTATION
The idea of the coronavirus as Èrè, may be found in the Ifa verse here. The Yoruba verse is above, with the English translation below:
Èrè délé Alárá
Ó kólé Alárá
Èrè délé Ajerò
Ó kólé Ajerò
5. Èrè délé Ọwáràngún Àgà
Ó jẹlé Ọwáràngún Àgà
Ìròhìn kàn bá Ọ̀rúnmìlá
Wípé Èrè ti dájọ́, ó ti móṣù
Cellphone Conversation
Cellphone Conversation
(After Wole Soyinka’s “Telephone Conversation”)
My phone rang, I recognized the number
and picked it up.
“Hey, babe,” I said,
“What’s going on?”
She started laughing,
and it seemed she wanted to talk,
but just couldn’t control herself.
I wanted to know
what was so funny. Finally,
she managed to stop laughing.
