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MOYOGALLERIA
I’ve been excited lately about something.
Yesterday I received the certificate of occupancy for MOYOGALLERIA, Austin, Texas.
I will focus on African art.
We will invite African artists for residencies of up to three months.
We will provide the artist with a living and working space.
Do you think I should hug him or send hired killers to him?
Samuel Toba did this portrait of me today. It’s gorgeous. Do you think I should hug…
ÌKÚNLẸ̀ ABIYAMỌ
How does one translate ÌKÚNLẸ̀ ABIYAMỌ into English, yet retain the picture that that term conveys in the original Yoruba context?
The word “childbirth,” which is the direct translation of ÌKÚNLẸ̀ ABIYAMỌ does not give the picture of the kneeling woman, giving birth to a child.
ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ
The idea of ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ must be difficult for those who interpret reality from the binary western tradition of male/female, living/dead, organic/synthetic, plant/animal, tall/short, high/low, liquid/solid, left/right and right/wrong or past/present.
ÀÌKÚ
When I was a kid between the ages of three to ten, my friends and I were fond of watching Lọ́baníkà, an egúngún masquerade that performed regularly once a year in my neighborhood at Iremo in Ile Ife. Lobanika’s annual act was the highlight of the entire community, and we always waited with joy for the week when Lobanika performed to the delight of all and sundry
DANCING WITH WORDS
DANCING WITH WORDS
Do we dance while talking, sometimes?
Usually, we talk with our mouths.
But the eyes are also part of the conversation.
