At the coffee shop.
Guys checking out my friend, like “What’s that?”
We are the people of the 22nd century.
There is none like us.
And one by one they will find out who we are, and what we mean to the survival of this planet that they try so hard to destroy with this thing they call “progress,” and “science.”
THE PAID OFFICERS BOAST THEY DID THE KILLING, MAIMING AND DESTRUCTION OF PROPERTIES
To those who obey orders to kill and maim:
To those whose salaries, allowances and food are from the business of death:
Let nobody convince you that you could kill another HUMAN, and remain alive and well.
Let nobody persuade you that killing and maiming people is a legitimate job.
Hanging out with Adetola Wewe on the riverboat on Lake Travis, Austin, Texas.
He is visiting from Nigeria as the first fellow-in-residence, University of African Art at Austin.
Rufus was almost done eating the plate of food abandoned by Obaseki, and was washing his hand, still chewing the last piece of the goat meat. Then to my amazement, we saw Obaseki as he returned, walking through the door, straight into the buka. He looked dazed, as if he was walking in his sleep. He hesitated briefly, before making directly for our table. Dede Mabiaku took one look at him, and said, “Dis man don shack very bad Igbo.” (“This man looks like he has been smoking pot.”)
On my 64th birthday anniversary, I celebrate my mother, the one person most responsible for who I am today.
She does not even know the date of her birth.
But she keeps mine so close to heart.
My father, Oladejo Okediji, is the known one. He is the famous author, who wrote novels, plays, poems, and essays. When he passed last year at 90, nobody even mentioned my mother once, as they poured deserved eulogies on him.
Another of the paintings I just discovered in my garage.This painting, however, has the distinction of being one the oldest canvases I have in my possession—painted in 1992. It was the painting in which I had a breakthrough. It was in this painting that I unlearned everything my teachers taught me.I realize that in life, we do not see things like a camera.
My anti-coronavirus Esu.I produced this Esu object and hung it in front of my door. My house is marked safe.When their Agent of Death is passing by, it sees the Esu object.Esu, the gatekeeper, informs the Agent of Death that “He doesn’t live here. He lives on the other street.”