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VISUAL PROVERBS: ABO
VISUAL PROVERBS: ABO
Let’s play with words.
Let’s play with images.
Let’s construct figures of speech.
Let’s do òwé, and ride it down the lane of memory.
Let’s break things all down; then pack them all back together.
Let’s see what will fall out, what will fall in.
Let us now begin to speak in proverbs.
Ìyàwó: Wife of Fortune
Ìyàwó: Wife of Fortune
It was an open Saturday at our hostel.
On the way to my grandparents’ house, I ran into a wedding party.
I met Iya Oyo curiously inspecting a large, covered bowl when I arrived home.
Wèrèpè
Wèrèpè má so mọ́.
Devil bean weed, stop producing seeds,
Èyí tó o so lésǐn,
The seeds you produced last season
Baba ẹnìkan ò ka.
My anti-coronavirus Esu.
My anti-coronavirus Esu.
I produced this Esu object and hung it in front of my door.
My house is marked safe.
When their Agent of Death is passing by, it sees the Esu object.
Esu, the gatekeeper, informs the Agent of Death that “He doesn’t live here. He lives on the other street.”
ENGLISHMAN IN BENIN CITY, 1981 (Part Twenty-Nine)
Some fire seemed out of Papa Ru as he sat, something which would be clear to someone who knew him well, and might not be noticed by others.
I saw the difference in the grey dim to his eyes. It was less in the bow that formed around his shoulders as he leaned forward on the table, under which Obaseki was hiding. But Rufus was hardly aware of his own body yet. It was the first time he left his room since we carried him there the moment we arrived from burial. He seemed to have a hard time just keeping his face from falling off his head. As if to ensure that did not happen, he pressed his chin into his palm, his elbow resting firmly on the table for support, seemingly carrying the entire weight of his torso.
