Àkòdì Òrìṣà
Àkòdì Òrìṣà:
a dream is gradually taking shape.
Interested in some of my published works?
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Àkòdì Òrìṣà:
a dream is gradually taking shape.
ÀṢẸ, ASHE, AXE, ACHE
ÀṢẸ in Yoruba
ASHE in North America (United States, Europe, Afro-Caribbean, Canada)
AXE in Brazil.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Yours truly at the Ohio State University to give a lecture on Friday.
I am installing huge paintings by Adetola Wewe inside my gallery in Austin Texas.
Adetola Wewe is the first resident fellow of the University of African Art, Austin, Texas Campus.
MAMA
Mother is a tree
with fruits, rooted in
Traditions of nurturing,
watered in the womb of affection
Her milk flows
down the hills of time
from one generation of love
to another recuperation of hope
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”
ÀṢẸ, ASHE, AXE, ACHE
ÀṢẸ in Yoruba
ASHE in North America (United States, Europe, Afro-Caribbean, Canada)
AXE in Brazil.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Yours truly at the Ohio State University to give a lecture on Friday.
I am installing huge paintings by Adetola Wewe inside my gallery in Austin Texas.
Adetola Wewe is the first resident fellow of the University of African Art, Austin, Texas Campus.
MAMA
Mother is a tree
with fruits, rooted in
Traditions of nurturing,
watered in the womb of affection
Her milk flows
down the hills of time
from one generation of love
to another recuperation of hope
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”
ÀṢẸ, ASHE, AXE, ACHE
ÀṢẸ in Yoruba
ASHE in North America (United States, Europe, Afro-Caribbean, Canada)
AXE in Brazil.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.