Dem Belleful
Title: Dem Belleful
Medium: acrylic on canvas
date: 2021
48×36″
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LOOKING BACK
LOOKING BACK
I
Exile, however sweet,
for home makes the heart yearn.
Àjò kìí dùn
kónílé gbàgbé ilé.
I colored the Yoruba proverb above for emphasis.
Why?
Because everybody living in Nigeria is a hero.
It is often akin to being a kamikaze pilot in WWII.
They just survived the #EndSars uprising.
Two Friends and a Bird
Omidan (Damsel)
Artist: Moyo Okediji
Title: Two Friends and a Bird
Medium: Terracotta
Date: 2010
Past, Present and Future: Taye, Kehinde and Idowu
2020 has been an eventful year.
We will not itemize the list of the horrors of the year.
Can we, instead, highlight the blessings?
Rather than explore the sadness of the year, can we paint images that are sweet?
Can we find the joy hidden behind the sorrow?
Can we squeeze order out of the chaos?
Ifa reads
Ifa reads the ọpọ́n of 2019 elections in Nigeria and shakes his head at Ìwòrì Méjì, which says inter alia, that:
Pregnant women will no longer be delivered.
The barren ones will remain barren.
The sick will remain infirm.
Small rivers will dry up.
Mungo Park Discovering River Niger
As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.
I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”
Reunited
Reunited with my painting.
Title: Fragments of the Shattered Gourd
Medium: terrachroma on canvas
Date: 2008