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The Farmer of Colors
The Farmer of Colors
Harvesting a field
of chromatic linguistics
is akin to a dance:
first you must hold
your canvas like a partner
and place layers of
harmonious tinctures over
the picture plane.
Yemoja Protecting her Children (Earth Day).
Title: Yemoja Protecting her Children (Earth Day).
Medium: acrylic on canvas
Size: 76″ x 64″
Date: April 2021
Yemoja, Oya, and Osun are female divinities whose duties include protecting the earth, cleansing it and engineering regeneration.
THE PYTHON AND ITS MEAL
There is a revolution going on in Nigeria.
They called it, at first, #EndSARS.
Then it morphed into #endswat.
Like an arrow in flight, nobody knows where it is going.
The youth revolution in Nigeria has caught the entire country by surprise.
The youths of Nigeria are incredibly talented.
Nigerian youths have been handed nothing by my generation.
My generation is the generation of pythons.
My generation of pythons can swallow everything and anything up whole and alive.
But after a python swallows up its victim whole, it cannot move from the spot.
The Butterfly Thinks Himself A Bird
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”
Portrait of Moyo Okediji
This is the latest Portrait of Moyo Okediji by a young Nigerian artist, Femi Okediji. I really enjoy his mastery of chiaroscuro. The loose strokes of his composition merge structurally into a coherent musical gradient that gives form to my facial expression.
Àkòdì Òrìṣà artists
Àkòdì Òrìṣà artists painting the outside fence at Ile Ife, Nigeria.