Working it out in the studio.
Working it out in the studio.
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Captive No More (Part VII)
The mighty and resplendent Iya Iroko
tree had remained rooted
to the same spot
near the Oba river
for three hundred and sixty-four seasons
watching the ways of humans
from the viewpoint of a plant
under which folks sat
The construction process
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
The Farmer of Colors
The Farmer of Colors
Harvesting a field
of chromatic linguistics
is akin to a dance:
first you must hold
your canvas like a partner
and place layers of
harmonious tinctures over
the picture plane.
THE PAST, PRESENT AND FUTURE
I woke up during the night and went to the bathroom.
There was no water to wash my hands.
No hot water. No cold water.
What was going on?
I went downstairs.
No running water.
I’m a refugee
I’m a refugee
An exile, a stranger
In a gold residence.
Home died decades away.
Those who opened their door
To welcome my wandering legs
Point to me their tables
decked with wine and sweetbread.
Why the Tortoise and the Dog Quarrel All the Time.
Artist: Moyo Okediji
Title: Why the Tortoise and the Dog Quarrel All the Time.
Medium: Acrylic on Canvas
Date: 2018
