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NEW SALE
NEW SALE
I have just sold this work titled “MESSENGER OF HOPE.”
It is a terracotta piece mounted on canvas.
It has an antique look to give it a timeless dimension, just as the element of hope that it defines.
I’m happy the work has found a home where it will be happy and loved.
THE MESSENGER OF HOPE
Ìrẹtẹ̀ Méjì.
Do you know why people say Ọbá wàjà (the monarch climbed the rafter) and not Ọbá kú (the monarch died)?
You will find the answer to the riddle in Ìrẹtẹ̀ Méjì.
Orunmila was a monarch, who gave birth to several other monarchs including Alárá, Ajerò, Ọlọ́wọ̀ and several others.
You will also find out in Ìrẹtẹ̀ Méjì why Yoruba people (ọmọ a yọ orù bá wọn tọ́jú) do not die, but climb the rafter.
I’m a refugee
I’m a refugee
An exile, a stranger
In a gold residence.
Home died decades away.
Those who opened their door
To welcome my wandering legs
Point to me their tables
decked with wine and sweetbread.
AMERICANA AT OKADA PARK
AMERICANA AT OKADA PARK
“You fine o. You wan marry Okada?”
“Excuse me?”
“Yes, nau. Mek Americana marry Okada.”
“What?”
“Lekki marry Ajegunle o, Americana marry musician…”
“Don’t understand you.”
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
The Incompatibility of Love and Fear
The Incompatibility of Love and Fear