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A wonderful gift
Afolabi Damilare’s portrait of Moyo Okediji.
Thanks for this wonderful gift, Afolabi
I am speechless.
Anthonia Nneji has done me again.
I am speechless.
I must write her a poem.
Adetola Wewe posing with the first painting…
Adetola Wewe, is with me in Austin, Texas, posing with the first painting he completed and signed as an artist in residence at the University of African Art Residency, Texas, Austin.
Captive No More
Captive No More
1
What you are reading is not poetry. It is not fiction. It is my true family history.
I am an ascendant from slavery. Yes.
It means I am a descendant of enslaved bodies. Yes.
Inside me, they locked iron collars,
leg fetters, and hand lockers. Yes.
Yes. Does it sound weird? Yes.
Slavery was real in Africa. Yes
Africa was the Ground Zero of slavery. Yes.
My edited book on the work of Dotun Popoola is now out.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Where is your book?
Where is your book?
In a lock-down world
in which information production
and dissemination has changed.
I use the books to build a wall
to distance me socially because
The library as we knew it
has become a museum.
