My work
My work displayed at the Museum Of Contemporary Art (MoCA), Miami, for the 2019 Miami Basel event.
Interested in some of my published works?
Follow Me
My work displayed at the Museum Of Contemporary Art (MoCA), Miami, for the 2019 Miami Basel event.
Professor Adeleke Adeeko has used my recent painting for the cover of his new book, titled KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
It is a translation of Femi Osofisan’s book, titled CHOLERA COLLEGE.
Professor Adeeko teaches at Ohio State University, Columbus, OH.
The carpenter is singing as he does the roof:
Ẹ̀yin tẹ́ ń lóyún lé rodo-ríndín, hẹn-ẹn
Bọ́mọ bá yàgbẹ́ o
Baba rẹ̀ ní ó ko.
Translation:
You who conceive while your infants are mere suckling babies
When your infants mess their pants
Their daddies will change their diapers.
This is the first Akodi orisa that I constructed in 2011 in Ondo.
I had no trouble whatsoever from anybody when I built the studio-museum there.
I am therefore surprised that the one in Ile Ife, just finished in 2018, has attracted so much attention.
Captive No More
1
What you are reading is not poetry. It is not fiction. It is my true family history.
I am an ascendant from slavery. Yes.
It means I am a descendant of enslaved bodies. Yes.
Inside me, they locked iron collars,
leg fetters, and hand lockers. Yes.
Yes. Does it sound weird? Yes.
Slavery was real in Africa. Yes
Africa was the Ground Zero of slavery. Yes.
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Ọ̀RÌYÀ
Yà mí lójú n ríran
Ọ̀rìyà
Kí n ríran rówó
Kí n ríran rọ́mọ
Ọ̀rìyà
Yà mí lójú n ríran
Ọ̀rìyà
Seven phallic comb