THE REAL ẸKÙN
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
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My gallery space
My gallery space, Austin, TX.
Gudugudu
Artists: Moyo Okediji with Foluke Olukanmi and Jumoke Awodeyin.
Title: Gudugudu
Medium: Installation
Date: 2018.
Akodi Orisa, Ile Ife.
METAMODERNISM: THE FUTURE OF THEORY
Moyo Okediji will be in conversation with Jason Storm
Event: The book launch of METAMODERNISM: THE FUTURE OF THEORY
When: Aug 27, 2021
02:00 PM Eastern Time (US and Canada)
Captive No More
Captive No More
1
What you are reading is not poetry. It is not fiction. It is my true family history.
I am an ascendant from slavery. Yes.
It means I am a descendant of enslaved bodies. Yes.
Inside me, they locked iron collars,
leg fetters, and hand lockers. Yes.
Yes. Does it sound weird? Yes.
Slavery was real in Africa. Yes
Africa was the Ground Zero of slavery. Yes.
Ọ̀yẹ̀kú Méjì Dome
Architect-artist: Moyo Okediji Curator: Bisola Oladunjoye Builders: The Àkòdì Òrìṣà artists Title: Ọ̀yẹ̀kú Méjì Dome Date: 2018 Location: Ile Ife, NigeriaIn this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
The Butterfly Thinks Himself A Bird
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”