Extratemporal Surfer
Title: Extratemporal Surfer
Medium: Acrylic on canvas
2021, 72′ x 80″
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Where is your book?
Where is your book?
In a lock-down world
in which information production
and dissemination has changed.
I use the books to build a wall
to distance me socially because
The library as we knew it
has become a museum.
Captive No More (III)
Captive No More (III)
7.
Music is the language of tragedy,
and dance, the vocabulary of trauma.
Silence, the death of feelings,
marks the beginning of madness.
After my great grandmother in vain
yelled the name of her son, Akin,
several times, and got no response,
she stepped outside and scanned
where he was playing,
and yelled his name again,
when she did not see him there
her stomach sank
because down in the pit of her womb
she knew he was gone.
Dìsẹ́ḿbà ò ní dì wá mẹ́rù lọ o, láṣẹ Elédùà.
Gradually the African art gallery is falling into proper shape.
The art is also ready to go.
But I’m not in a hurry to open the gallery.
I will wait till it’s safe.
MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Hey, world out there
Hey, world out there
I hunker down here
and hail you, dear friend,
for we now live in the world
of virtual friends
but you can’t hug anymore.
We live in a new world.
Mungo Park Discovering River Niger
As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.
I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”
