SeaBorne
SeaBorne
acrylic on canvas
36×48″
2021
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SeaBorne
acrylic on canvas
36×48″
2021
MEANINGLESS WORD
“Food is not ready,” Iya Oyo informed me. “This is just a snack. I know you are hungry” In Yoruba she said “Fi eléyìí panu. Mo mọ̀ pé ebi ti ń pa ẹ́.”
She left me a bowl full of boiled groundnuts. I loved boiled groundnuts. It was still in the shell. “You can throw the shells here after cracking them.” In Yoruba , she said, “Pa èèpo ẹ̀pà ná à sínú abọ́ yìí.
The most wonderful women in the world–Nigerian women–at the Winter Olympics in South Korea.
Smart beyond compare, the beauty of Nigerian women slowly grows on you, though for me, it is always love at first sight.
Fear Not the Storm
Àwa kò bẹ̀rù (We are not afraid)
Àyà kò fò wá (Scared are we not)
Olódùmarè lalákǒso (The Almighty is in charge)
Kò sí bí ìjì náà ṣe lè tó (However wild the storm may rage)
Àwa ọmọ Irúnmọlẹ̀ (We are the children of Divine forces)
Samuel Toba did this portrait of me today. It’s gorgeous. Do you think I should hug…
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
The Farmer of Colors
Harvesting a field
of chromatic linguistics
is akin to a dance:
first you must hold
your canvas like a partner
and place layers of
harmonious tinctures over
the picture plane.