III

III

Arresting house. The house, because it is so arresting, led to my arrest as its owner and builder. They came to arrest the house—not just the architect.

The house is the culprit. They came to place it behind bars. They had no problems with setting the designers and builders free as long as they are able to lock away the arresting building.

II

II

II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”

ÀKÒDÌ ÒRÌṢÀ

ÀKÒDÌ ÒRÌṢÀ

The first report (summer 2018)

Yesterday, July 5, 2018.

ÀKÒDÌ ÒRÌṢÀ

I was arrested by the Nigerian Police yesterday.

To be fair to them, they were angry with my new building, the ÀKÒDÌ ÒRÌṢÀ, in Ile Ife. The police landed in trucks, arms, uniforms, and plain clothes to storm the construction site. There were about ten workers at the site when the police came. The previous day when the police arrived the workers fled into the surrounding bushes, abandoning their tools, unused building materials and the entire construction area.

STOLEN.

STOLEN.

This work that I completed in 1980 was stolen from my house in Nigeria around 1994.

If anyone is in possession of it, please know that it is stolen work.

This work and more than fifty masterpieces were stolen from my apartment