a picture showing moyo okediji sitting next to his artwork

Mungo Park Discovering River Niger

As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.

I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”

a picture showing moyo okediji standingnext to his artwork

Another painting that I just extracted from my garage is this dark work.

Another painting that I just extracted from my garage is this dark work.

There is an interesting story behind it.

In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.

a post showing Moyo OKediji art piece

Sold!

I’m pleased to inform my friends that this historic painting which I completed in 1992 is now going to a home that will care for it, love it and protect it from damage and misfortunes. As the single parent of this painting, I feel a sense of loss that she is leaving me.

a picture showing moyo okediji standing next to his artwork

The philosopher of sensiotics.

Henry Drewall, the philosopher of sensiotics, wrote a couple of days ago that, “Moyo mi owon — you have turned pain into paint…for us to see and feel….”

He should know. Sensiotics is the archeology of feelings within the human sensibility.

This painting shared here is about the pain and joy of departures and arrivals, as one of my Transatlantic Series: in 1992, I started it in Nigeria just as I was relocating to the to the United States, where I completed it.

a picture showing moyo okediji sitting next to his artwork

Another of the paintings I just discovered in my garage.

Another of the paintings I just discovered in my garage.This painting, however, has the distinction of being one the oldest canvases I have in my possession—painted in 1992. It was the painting in which I had a breakthrough. It was in this painting that I unlearned everything my teachers taught me.I realize that in life, we do not see things like a camera.

I teach now by Zoom.

I teach now by Zoom.

It feels weird to sit in the studio, talking to a screen, wondering if you are not crazy.

The computer tells me the names of everybody logged into the class, listening and watching me.

But who else is with them, also watching and listening? How far will the recording of the session travel?