MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
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Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
“So, what do they look like?”That’s the question I never could answer. But I swear I saw them.They came in some underwhelming craft.They took me into the craft. I saw the inside of it.I don’t recollect sitting down.
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Àkòdì Òrìṣà:
a dream is gradually taking shape.
O: THE ORIGIN OF LIFE
To pronounce this sound,
turn your lips into a circle.
Then push the air
through your lips,
gently,
then forcefully.
The sound comes out in a continuous flow
until you are out of breath:
OOOOOOOOOOOOOOOO.
That is the sound
I’ve been excited lately about something.
Yesterday I received the certificate of occupancy for MOYOGALLERIA, Austin, Texas.
I will focus on African art.
We will invite African artists for residencies of up to three months.
We will provide the artist with a living and working space.
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”