MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
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Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
I
Request:
Now that Ibadan
is under fire,
is all lost?
What does Ifa say?
Response:
Ifá responds with Ọ̀sé Ọ̀yẹ̀ku.
In Ọ̀sẹ́ Ọ̀yẹ̀kú, Ifá traces the same passage
This is the latest Portrait of Moyo Okediji by a young Nigerian artist, Femi Okediji. I really enjoy his mastery of chiaroscuro. The loose strokes of his composition merge structurally into a coherent musical gradient that gives form to my facial expression.
There is no fear except the one we make up.
The fear we harbor is us.
On this planet, there is nothing to lose.
You shall know the truth, and the truth will set you free.
The rubber is beginning to bite the tarmac.
‘Ògidi ọmọ Yorùbá ni mí, mò fẹ́ràn èdè àti àṣà Yorùbá púpọ̀’.
One day, one day!
Soja go come.
Soja go do.
Soja go catch Don’t Climb.
Walahi, Talahi
There is a revolution going on in Nigeria.
They called it, at first, #EndSARS.
Then it morphed into #endswat.
Like an arrow in flight, nobody knows where it is going.
The youth revolution in Nigeria has caught the entire country by surprise.
The youths of Nigeria are incredibly talented.
Nigerian youths have been handed nothing by my generation.
My generation is the generation of pythons.
My generation of pythons can swallow everything and anything up whole and alive.
But after a python swallows up its victim whole, it cannot move from the spot.