MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Interested in some of my published works?
Follow Me
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Moyo Okediji
Title: The Butterfly Thinks Himself A Bird
Medium: Acrylic on canvas
Date 2021
Size: 24″ x 30″
The title is an important line in playwright Ola Rotimi’s masterpiece, THE GODS ARE NOT TO BLAME.
Rotimi took the line from a Yoruba proverb, “Labalábá fira rẹ̀ wẹ́ye, kò le ṣìṣe ẹyẹ.” ̛It means, “The butterfly compares itself to the bird, but is unable to perform like a bird.”
If the road is bad
buy-a-Jeep-generation.
If the oil is crude
export them for refining
then import-them-for-distribution-generation
If the schools are bad
send-your-children-abroad-for-education-generation
If there is a food shortage
import-food-from-abroad-generation.
If there is no pipe-borne water
Cellphone Conversation
(After Wole Soyinka’s “Telephone Conversation”)
My phone rang, I recognized the number
and picked it up.
“Hey, babe,” I said,
“What’s going on?”
She started laughing,
and it seemed she wanted to talk,
but just couldn’t control herself.
I wanted to know
what was so funny. Finally,
she managed to stop laughing.
The Farmer of Colors
Harvesting a field
of chromatic linguistics
is akin to a dance:
first you must hold
your canvas like a partner
and place layers of
harmonious tinctures over
the picture plane.
So much to say!
Gist plenty.
Ọ̀rọ́ pọ̀ láti sọ.
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.