MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
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Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
The downfall of a man is not the end of his wife.
Make una softly-softly for end-of-year parties o.
Working it out in the studio.
Two New African Proverbs:
1. The same people who place their knee on your neck will also be the first to ask “Why can’t you breathe?”
2. The same people who are causing your sadness will also be the first to ask “Why can’t you laugh?”
(Adapted from the Yoruba proverb, “Ẹ́ni tí ó bá sọ ni di olóríburúkú ni ó kọ́kọ́ má a ń fi bú ni:
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
Ọ̀RÌYÀ
Yà mí lójú n ríran
Ọ̀rìyà
Kí n ríran rówó
Kí n ríran rọ́mọ
Ọ̀rìyà
Yà mí lójú n ríran
Ọ̀rìyà
Seven phallic comb