MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
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REMOVE THESE ANIMALS NOW
REMOVE THESE ANIMALS NOW
If before I wavered
I no longer hesitate to say it:
Drag these monsters off our land
these foul Fulani curs
who rape my women with abandon
like they rape their cursed cows.
I saw a video yesterday.
Just as a lens focuses light to the point
Just as a lens focuses light to the point
that it can generate enough heat
to set a leaf on fire:
The Òrùlé Orí uses sound and space
to focus and raise the level
of positive energy in an individual.
How? It’s the principle of electricity.
You connect the charger to the electricity socket to charge the battery of your laptop. Your laptop wakes up, ready to go.
THE REAL ẸKÙN
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
Adetola Wewe
Adetola Wewe is with me in Austin Texas.
He is here as an artist in residence in the art center/gallery that I began recently.
He is chilling here with some àsun that he brought with him from Nigeria, and one of the local beers in Austin.
GOLD MINE
In front of my latest work, titled GOLD MINE
Terrachroma on canva
Mungo Park Discovering River Niger
As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.
I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”
