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ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ
The idea of ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ must be difficult for those who interpret reality from the binary western tradition of male/female, living/dead, organic/synthetic, plant/animal, tall/short, high/low, liquid/solid, left/right and right/wrong or past/present.
Do you know this song?
Do you know this song?
Ẹ fà á nírungbọn tu!
Ẹ fà á nírungbọn tu ò
Àgbàlagbà tí ò lówó lọ́wọ́
Tó ń dá irungbọ̀n sí
Ẹ fà á nírungbọn tu.
GOOD FAKE NEWS
Photo: still in solitary confinement at home.
I’m not taking the vaccine.
Not yet.
Waiting to see what happens.
The lack of sunlight is depleting the melanin shield of my skin.
But I take Vitamin D supplements to compensate for a lack of access to sunlight.
Last night I was looking for my pet elephant and discovered it was hiding inside my beard.
That’s fake news.
Good fake news.
AMERICANA AT OKADA PARK
AMERICANA AT OKADA PARK
“You fine o. You wan marry Okada?”
“Excuse me?”
“Yes, nau. Mek Americana marry Okada.”
“What?”
“Lekki marry Ajegunle o, Americana marry musician…”
“Don’t understand you.”
At my studio in Austin
At my studio in Austin, Adetola Wewe is seen working with Keji Badmus, the first recipient of the Apprenticeship Program of the University of African Art at Austin.
The apprenticeship system is the indigenous art education school practice in the indigenous African creative cultures.
The fellow hiding in this picture is easy to find, right
The fellow hiding in this picture is easy to find, right