(Computer + Odu Ifa)
(Computer + Odu Ifa) = Deeper knowledge
Interested in some of my published works?
Follow Me
(Computer + Odu Ifa) = Deeper knowledge
Multiverse: Agbedeméjì and Agbédèmejì
A friend just asked me to comment on Agbedeméjì.
But didn’t ask me about Agbédèmejì.
The south needs to cultivate edible urban landscapes.
Nigeria has an ecology that permits the cultivation of food plants throughout the year.
The edible urban landscape means that the cities and town of the south should be cleared of weeds, and every available space must be turned into a vast food-producing landscape, all the way from Ilorin to Port Harcourt.
Baba Rowland Abiodun, author of the groundbreaking treatise, YORUBA ART AND LANGUAGE: SEEKING THE AFRICAN IN AFRICAN ART, enlightening the audience at the University of Texas, Austin.
Eight of my paintings will be shown at an art exhibition opening tomorrow Saturday, November 9, in Nairobi, Kenya.
These paintings I am showing in the exhibition are open—meaning that the paintings have no figures that can be identified as a person, place, object, tree, water or anything else that one could recognize and name. The paintings do not attempt to tell any story, nor do they illustrate any scene. The paintings are open to absorb whatever story the viewers may bring them, and they also assist in opening up the viewers’ minds to excavate memories and ideas that are in the subconscious of the viewers.
Àkòdì Òrìṣà at sunset, Ile Ife, Nigeria.
This is the location of the Àkòdì Òrìṣà, the home of the ancestral orisa in Yoruba country.
The curator of the Àkòdì Òrìṣà sent me this picture to inform me of the treat that awaits me when I return to Ile Ife. I’ll be there soon. Soon.
Artist: Moyo Okediji
Title: Wole Soyinka’s OGUN ABIBIMAN
Medium: acrylic on canvas
Date: 2018
Awam Amkpa