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Ela, Offspring of Olodumare
Jumped in my Jeep,
started the engine to warm it
and listen to public radio
for 5 minutes.
Jumped out.
Ex-marine neighbor,
calling across the street:
“Mayu, come here.”
Me: Not coming. Too dangerous. Not safe. Covid 19 is ravaging Texas.
SIMPLE QUESTIONS?
When I arrived in the United States thirty years ago, I couldn’t call the US a new land.
It might be new to me, but it was not new to those who were born there.
But if the history of the United States were written by me, I would call the United States, “new land.”
That has been the experience of peoples in Africa.
How to train an apprentice artist?
How to train an apprentice artist?
Get her to work with you on your own art.
Get her to go through the process that you go through.
Get her to understand that it is a lot of work.
But there is no amount of talking that can convey that fact to her.
ENGLISHMAN IN BENIN CITY, 1982 (Part 38)
“Wole Soyinka wants to have a word with Rufus. Tell him to come as soon as possible. Kongi travels out of the country next week,” was the simple message that I got back from Kole Omotosho.
Omotosho was the head of the Dramatic Art Department, University of Ife. He sent a driver to me to collect a manuscript, “Marx and Mask,” written by the brilliant Ghanaian writer, Ayi Kwei Armah.
Soyinka regularly received manuscripts from several writers, and after making copies, he would distribute the manuscripts among his circle of intellectuals who met at least once a week to read and discuss the manuscripts.
Ilé Ọ̀rìsà!!!
Ilé Ọ̀rìsà!!!
That’s what an admirer called the Òyẹ̀kú Méjì suite at the Àkòdì Òrìṣà.
She used the Ile Ife dialect, Ilé Ọ̀rìsà. It is different from the Oyo dialect of Ilé Òrìṣà.
But it is absolutely appropriate that it is called Ilé Ọ̀rìsà, because it is located in Ile Ife.
After my Ph.D
After my Ph.D., I returned to the roots to learn from the source.
These iyas who have no university degrees taught me things none of my professors knew.