GOLD MINE
In front of my latest work, titled GOLD MINE
Terrachroma on canva
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In front of my latest work, titled GOLD MINE
Terrachroma on canva
Captive No More V
14
The baale of Apaara,
My great grandfather
returned on horseback
only to discover that
His favorite child was gone
swept along the rabid rapids
of the slavers’ path
into the abyss of time.
winter crown.
gọ̀ọ̀bì èèbó
lost and found gọ̀ọ̀bì òtútù
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
When I was a kid between the ages of three to ten, my friends and I were fond of watching Lọ́baníkà, an egúngún masquerade that performed regularly once a year in my neighborhood at Iremo in Ile Ife. Lobanika’s annual act was the highlight of the entire community, and we always waited with joy for the week when Lobanika performed to the delight of all and sundry
As the Chinese launches successfully the second wave of the colonization of Africa, after learning from the techniques of divide and conquer that Europe used for the first wave of conquering the continent, it became necessary for me to do this painting.
I also want to refer to the poem I wrote a couple of months ago, titled, “My Teacher Taught Me Nonsense.”
Moyo Okediji will be in conversation with Jason Storm
Event: The book launch of METAMODERNISM: THE FUTURE OF THEORY
When: Aug 27, 2021
02:00 PM Eastern Time (US and Canada)