Reunited
Reunited with my painting.
Title: Fragments of the Shattered Gourd
Medium: terrachroma on canvas
Date: 2008
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Working it out in the studio.
Working it out in the studio.
This is too easy, right?
This is too easy, right?
Do you see this person?
It’s easy to see who is hiding in the picture and what the fellow is doing, isn’t it?
I wonder.
Dìsẹ́ḿbà ò ní dì wá mẹ́rù lọ o, láṣẹ Elédùà.
Gradually the African art gallery is falling into proper shape.
The art is also ready to go.
But I’m not in a hurry to open the gallery.
I will wait till it’s safe.
The leaf placed on the right side
The leaf placed on the right side
On the right side remains
The leaf placed on the left side
On the left side stays
Ewé tí a já sọ́wọ́ ọ̀tún
Ìrẹtẹ̀ Méjì.
Do you know why people say Ọbá wàjà (the monarch climbed the rafter) and not Ọbá kú (the monarch died)?
You will find the answer to the riddle in Ìrẹtẹ̀ Méjì.
Orunmila was a monarch, who gave birth to several other monarchs including Alárá, Ajerò, Ọlọ́wọ̀ and several others.
You will also find out in Ìrẹtẹ̀ Méjì why Yoruba people (ọmọ a yọ orù bá wọn tọ́jú) do not die, but climb the rafter.
Past, Present and Future: Taye, Kehinde and Idowu
2020 has been an eventful year.
We will not itemize the list of the horrors of the year.
Can we, instead, highlight the blessings?
Rather than explore the sadness of the year, can we paint images that are sweet?
Can we find the joy hidden behind the sorrow?
Can we squeeze order out of the chaos?
