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The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
A gigantic library has erupted in flames.
A gigantic library has erupted in flames.
There was no digital archive.
Another painting that I just extracted from my garage is this dark work.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ
The idea of ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ must be difficult for those who interpret reality from the binary western tradition of male/female, living/dead, organic/synthetic, plant/animal, tall/short, high/low, liquid/solid, left/right and right/wrong or past/present.
AMERICANA AT OKADA PARK
AMERICANA AT OKADA PARK
“You fine o. You wan marry Okada?”
“Excuse me?”
“Yes, nau. Mek Americana marry Okada.”
“What?”
“Lekki marry Ajegunle o, Americana marry musician…”
“Don’t understand you.”
FISHING OUT AFROFUTURE
FISHING OUT AFROFUTURE
Will they choose gills
rather than human lungs
to swim and live below the sea?