Ìbàdí Àrán (Duchess).
Artist: Moyo Okediji
Title: Ìbàdí Àrán (Duchess).
Medium: silicon on paper
Date: 2020
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Artist: Moyo Okediji
Title: Ìbàdí Àrán (Duchess).
Medium: silicon on paper
Date: 2020
The downfall of a man is not the end of his wife.
Make una softly-softly for end-of-year parties o.
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
FISHING OUT AFROFUTURE
Will they choose gills
rather than human lungs
to swim and live below the sea?
Why the Art Museums Are Closed
A dialogue with Africa
about the ancestral images
that the West looted
from the continent is inevitable.
Without this dialogue,
all the museums in the world,
all the art galleries,
all the exhibition spaces,
are uninhabitable spaces
Ọ̀RÌYÀ
Yà mí lójú n ríran
Ọ̀rìyà
Kí n ríran rówó
Kí n ríran rọ́mọ
Ọ̀rìyà
Yà mí lójú n ríran
Ọ̀rìyà
Seven phallic comb
The creative process can be quite fun, walahi.
You give it what it takes.
Here I am making a new picture.
The downfall of a man is not the end of his wife.
Make una softly-softly for end-of-year parties o.
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
FISHING OUT AFROFUTURE
Will they choose gills
rather than human lungs
to swim and live below the sea?
Why the Art Museums Are Closed
A dialogue with Africa
about the ancestral images
that the West looted
from the continent is inevitable.
Without this dialogue,
all the museums in the world,
all the art galleries,
all the exhibition spaces,
are uninhabitable spaces
Ọ̀RÌYÀ
Yà mí lójú n ríran
Ọ̀rìyà
Kí n ríran rówó
Kí n ríran rọ́mọ
Ọ̀rìyà
Yà mí lójú n ríran
Ọ̀rìyà
Seven phallic comb
The creative process can be quite fun, walahi.
You give it what it takes.
Here I am making a new picture.
The downfall of a man is not the end of his wife.
Make una softly-softly for end-of-year parties o.
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.