Evening.
Evening.
The sun is setting.
The night is falling in Ile Ife.
For many years after I arrived in the United States, whenever I slept, I would dream of Ile Ife.
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Exactly One Year Ago
Exactly one year ago, I made the following statement about the impending presidential election, President Buhari and the state of the Nigerian nation.
Please read on:
The presidential election in Nigeria is postponed for another week.
Who will win between Buhari and Atiku?
(In all seriousness, all other names are not on the ballot).
The question is not whether Buhari will be reelected into office as the president of Nigeria.
There’s nobody who will see this place and not be afraid
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
Isn’t it so wonderful to be back home in Nigeria
Isn’t it so wonderful to be back home in Nigeria, to spend time on the very land in which you grew up, to measure what has remained the same, evaluate the changes, and survey the landscape with an eye irrevocably altered through gazing at other countries and interacting with foreign landscapes?
II
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”
19 years
I was 19 years old in 1975 and an undergraduate studying painting at the University of Ife when my friend, Augusta Akusu-Ossai, took this picture of me.
The attire I’m wearing in the picture is typical of what I always wore in those days: a long adire (batik) top that I designed and sewed myself, and the baggy pants of that era.
ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
“Hey, Moyo,” Hilda yelled. “Are you alright? Are you with us?”
“Yes, I am,” I responded. I pulled myself back to the moment.
The traffic was light and the road excellent. The Lagos to Benin expressway was the best road I had ever driven on. The bus zoomed along on it effortlessly.
“You went so silent and looked so vacant, I could have sworn you were not here,” Steve said.
“I was here alright,” I answered.
“Thinking about Gina?” Hilda asked.
