Nightfall.
Nightfall.
Ile Ife.
For many years after arriving in the US, whenever I slept, I would dream of Ile Ife, where I grew up.
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Nightfall.
Ile Ife.
For many years after arriving in the US, whenever I slept, I would dream of Ile Ife, where I grew up.
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
We are getting close to the end of the architectural sculpture.
Evening.
The sun is setting.
The night is falling in Ile Ife.
For many years after I arrived in the United States, whenever I slept, I would dream of Ile Ife.
Does anyone know where to get aásà? My grandma, her soul is resting in peace, She…
“Wole Soyinka wants to have a word with Rufus. Tell him to come as soon as possible. Kongi travels out of the country next week,” was the simple message that I got back from Kole Omotosho.
Omotosho was the head of the Dramatic Art Department, University of Ife. He sent a driver to me to collect a manuscript, “Marx and Mask,” written by the brilliant Ghanaian writer, Ayi Kwei Armah.
Soyinka regularly received manuscripts from several writers, and after making copies, he would distribute the manuscripts among his circle of intellectuals who met at least once a week to read and discuss the manuscripts.
If you got up early enough, you would catch Anti Toyosi bathing at the back of the Face-Me-I-Face-You building in which I grew up in Ile Ife. Her husband, a sign-writer, would still be fast asleep.
But Anti Toyosi always got up early to prepare rice that she sold to school students as breakfast before they went to school.