The Man.
The Man.
I was going through a bunch of old drawings and happened upon this 2016 drawing I did during the summer.
It is The Man.
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SOJA GO, SOJA COME
Muhamadu Buhari, the president of our terminally sick Nigeria, just did what soldiers have been doing since I was ten years old—he kicked out some old soldiers, and replaced them with some old soldiers.
Buhari kicked out Chief of Defence Staff, General Abayomi Olonisakin;
Chief of Army Staff, Lt-Gen. Tukur Buratai;
Chief of Naval Staff, Vice Admiral Ibok Ekwe Ibas;
and Chief of Air Staff, Air Marshal Sadique Abubakar.
II
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”
On my way to the Murtala Muhammed Airport.
On my way to the Murtala Muhammed Airport.
Checking out, US bound.
We will find out what happens in Nigeria after elections this Saturday.
Nor be me dabaru 9ja
ENGLISHMAN IN BENIN CITY, 1982: (Part Thirty-Six)
***Reader’s Note:
I was informed that I should complete the ENGLISHMAN IN BENIN CITY series before moving on to the next series, THE RETURN.
I will therefore return to the ENGLISHMAN IN BENIN CITY, and continue with Part Thirty-six. To refresh the memory of our readers, I have placed parts Thirty-five and Thirty-four at the end of Part Thirty-six.
ÀKÒDÌ ÒRÌṢÀ
The first report (summer 2018)
Yesterday, July 5, 2018.
ÀKÒDÌ ÒRÌṢÀ
I was arrested by the Nigerian Police yesterday.
To be fair to them, they were angry with my new building, the ÀKÒDÌ ÒRÌṢÀ, in Ile Ife. The police landed in trucks, arms, uniforms, and plain clothes to storm the construction site. There were about ten workers at the site when the police came. The previous day when the police arrived the workers fled into the surrounding bushes, abandoning their tools, unused building materials and the entire construction area.
ENGLISHMAN IN BENIN CITY, 1982 (Part 38)
“Wole Soyinka wants to have a word with Rufus. Tell him to come as soon as possible. Kongi travels out of the country next week,” was the simple message that I got back from Kole Omotosho.
Omotosho was the head of the Dramatic Art Department, University of Ife. He sent a driver to me to collect a manuscript, “Marx and Mask,” written by the brilliant Ghanaian writer, Ayi Kwei Armah.
Soyinka regularly received manuscripts from several writers, and after making copies, he would distribute the manuscripts among his circle of intellectuals who met at least once a week to read and discuss the manuscripts.