The Man.
The Man.
I was going through a bunch of old drawings and happened upon this 2016 drawing I did during the summer.
It is The Man.
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The Man.
I was going through a bunch of old drawings and happened upon this 2016 drawing I did during the summer.
It is The Man.
“The Police Area Commander (AC) is interested in the case,” a police officer with a cellphone said. “He just called to say that he is now at his seat, and wants to see all of you in his office.” The AC’s office was about one hundred meters across the yard, from where we were seated. We all filed into the AC’s office. He was seated, and his large desk was decorated with pictures, flags and small objects with personal sentimental values. He was a handsome middle-aged man who seemed rather too pleasant looking to be a police officer. Not until he stood up did I realize that his gait was forward-leaning, with the robust physique of a football tackler. You wouldn’t want to be in his way despite his handsome mien.
THE PAID OFFICERS BOAST THEY DID THE KILLING, MAIMING AND DESTRUCTION OF PROPERTIES
To those who obey orders to kill and maim:
To those whose salaries, allowances and food are from the business of death:
Let nobody convince you that you could kill another HUMAN, and remain alive and well.
Let nobody persuade you that killing and maiming people is a legitimate job.
The Akodi Orisa is tranquil.
It is perfect as an art retreat.
It makes for a great place to reside and study, to research, fully focus on an idea and push it through.
The birds are serenading the grounds.
The breeze is soothing, as the sun blazes away, with the green foliage shading us from the rays.
It is heavenly here.
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”
We went to celebrate the Independence Day of Nigeria at a local bar where they sell Nigerian food, beer and hot Isi Ewu pepper soup.
We ordered swallow food.
After that we ordered drinks.
Please learn from our mistakes.
Do not drink more than one bottle of beer.
We all laughed and chatted heartily after drinking one bottle of small stout and Isi Ewu pepper soup.
Post-Naija Flip-Flop
We are now in a Post-Covid Era.
It doesn’t mean that the Covid is over. It simply means that our lives have witnessed the ravage of this virus, and we are still here to talk about it.
Can we say we are in a Post-Naija era?
It doesn’t mean that there is no Nigeria any longer. It simply means that we have witnessed the ravage of this virus and we are still here to talk about it.