The Man.
The Man.
I was going through a bunch of old drawings and happened upon this 2016 drawing I did during the summer.
It is The Man.
Interested in some of my published works?
Follow Me
Similar Posts
MY NEW WIFE
I met Antonia at a wedding party in Akure in 2011.
The wedding party was inside a high-end hotel, where the big politicians and rich people stay when in Akure.
My friend who was a commissioner had given me a room in the hotel, because I was writing an exhibition catalog, and needed a place with good internet service and constant power supply.
HOT NEWS
HOT NEWS: Time to go get Gbékúdè
My friend sent me this note:
“I got back safely, however, I got back in pieces, as parts of me did not come back.
I took a taxi to a park in Abuja [Nigeria] and along the way was robbed of my Laptop, phone, power bank and earpiece.
Does anyone know where to get aásà?
Does anyone know where to get aásà? My grandma, her soul is resting in peace, She…
They came to see the Akodi Orisa.
These kids appeared from nowhere.
They came to see the Akodi Orisa, they said.
“We know absolutely nothing about the Orisa. Do you kill people and use their blood for money.”
They wanted to learn about the Orisa from Baba Olorisa.
The construction process
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
II
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”