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Captive No More (Part II)
Captive No More (Part II)
3.
When they snatched my grandfather
from the breasts of his mother,
he lacked the language
to grasp or describe
what did happen
and was happening to him
.
In those days,
mothers breastfed their infants
for three solid seasons,
some four, some longer.
Àkòdì Òrìṣà artists
Àkòdì Òrìṣà artists painting the outside fence at Ile Ife, Nigeria.
Could Black life matter?
Could Black life matter,
without Black thoughts
and values mattering?
The indigenous African traditions
cannot breathe:
invasive viral forces
have placed their morbid knees
on the throats of indigenous African philosophy,
science, pedagogy, technology,
Adetola Wewe posing with the first painting…
Adetola Wewe, is with me in Austin, Texas, posing with the first painting he completed and signed as an artist in residence at the University of African Art Residency, Texas, Austin.
Don’t stop.
I know you’re tired.
I know you are broke. Very broke.
I know that all your friends are making it, but things are not just working for you right now.
I know you are annoyed.
And it still remains legible.
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
