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GOLD MINE
In front of my latest work, titled GOLD MINE
Terrachroma on canva
In my studio
I’m in my studio working on my second complete corpus of 256 Odu Ifa signatures.
It is a full catalog of African alphabets of intellectual origin.
ÀṢẸ, ASHE, AXE, ACHE
ÀṢẸ, ASHE, AXE, ACHE
ÀṢẸ in Yoruba
ASHE in North America (United States, Europe, Afro-Caribbean, Canada)
AXE in Brazil.
MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
Captive No More V
Captive No More V
14
The baale of Apaara,
My great grandfather
returned on horseback
only to discover that
His favorite child was gone
swept along the rabid rapids
of the slavers’ path
into the abyss of time.
