Nightfall.
Nightfall.
Ile Ife.
For many years after arriving in the US, whenever I slept, I would dream of Ile Ife, where I grew up.
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The construction process
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
There’s nobody who will see this place and not be afraid
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
ENGLISHMAN IN BENIN CITY, 1982 (Part 38)
“Wole Soyinka wants to have a word with Rufus. Tell him to come as soon as possible. Kongi travels out of the country next week,” was the simple message that I got back from Kole Omotosho.
Omotosho was the head of the Dramatic Art Department, University of Ife. He sent a driver to me to collect a manuscript, “Marx and Mask,” written by the brilliant Ghanaian writer, Ayi Kwei Armah.
Soyinka regularly received manuscripts from several writers, and after making copies, he would distribute the manuscripts among his circle of intellectuals who met at least once a week to read and discuss the manuscripts.
Road rage
“Oloriburuku! Were! Olosi! Alakori!” Road rage yelling coming from all angles.
I am covered in sweat as I sit patiently behind the wheel.
The AC of my truck has broken down. And the automatic window winder is not working. But my sweat glands are working.
Isn’t it so wonderful to be back home in Nigeria
Isn’t it so wonderful to be back home in Nigeria, to spend time on the very land in which you grew up, to measure what has remained the same, evaluate the changes, and survey the landscape with an eye irrevocably altered through gazing at other countries and interacting with foreign landscapes?
