What the MoMA Did To My Momma Series #1
Moyo Okediji
Title: What the MoMA Did To My Momma Series #1
Medium: Collage
Date: April 2018
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I am a grandpa now.
I am a grandpa now
and I feel good about it.
Happy Father’s Day
to all the fathers—may you become grandpas.
And to those of us grandpas
BEWARE THE IDES OF JUNE, KAKANFO ABIOLA, AND YORUBA LIBERATION
Unlike the simple way we number our calendar daily, the Romans numbered theirs in groups or blocks of days that are a little more complicated for our simple modern system.
There are three blocks of days in the month in the Roman calendar.
The first block is the Nones, which ends on the 12th or 13th day of most months.
The second block is the Ides, which ends on the 22nd day of most months.
The third block is the Kalends, which ends on the Ist day of most months.
OBITUARY
The death of
Abba Kyari is a major loss
for Nigeria.
Because he departed
so suddenly and unexpectedly,
eliminated by a killer so
vehemently and with matchless
dispatch, the victim most
ENGLISHMAN IN BENIN CITY, 1981 (Part Eight)
His jaw was clenched as Rufus advanced toward Obaseki. I realized that he was shutting off the reasoning valve and pressing on the throttle of turmoil within the engine of his brain. His sense, judgment, calculation and intelligence was at this point on vacation. The agents of automation were now in control of his anatomy. He was more machine than person, and his entire being was on remote control as Rufus began to press forward.
ENGLISHMAN IN BENIN CITY,1981 (Part Nineteen)
I had never seen Papa Ru in such a subdued mood. Nothing could have slugged him harder than the thought of Kongi maltreating him. He used to boast that it was because of Kongi that he returned to Nigeria from Britain.
Kongi had attended an event that Rufus produced for the BBC in London in 1979. And after the event, Rufus said, “Kongi met me backstage and asked, ‘Young man, what are you doing here, with all this talent that you have? You need to return to Nigeria immediately and contribute to the development of your country.’”
Welcome to the new world.
Welcome to the new world.
It’s not going to look like your father’s world.
So, this lady came to the Àkòdì Òrìṣà, and asked the women artists working there, “What are you people doing here? What is this place?”
The curator said, “Madam, this is the Àkòdì Òrìṣà, and as you can see, we are working.”
