a post showing Moyo OKediji art piece

Captive No More (III)

Captive No More (III)

7.

Music is the language of tragedy,

and dance, the vocabulary of trauma.

Silence, the death of feelings,

marks the beginning of madness.

After my great grandmother in vain

yelled the name of her son, Akin,

several times, and got no response,

she stepped outside and scanned

where he was playing,

and yelled his name again,

when she did not see him there

her stomach sank

because down in the pit of her womb

she knew he was gone.

a picture showing moyo okediji poised for the camera

Captive No More

Captive No More

1

What you are reading is not poetry. It is not fiction. It is my true family history.

I am an ascendant from slavery. Yes.

It means I am a descendant of enslaved bodies. Yes.

Inside me, they locked iron collars,

leg fetters, and hand lockers. Yes.

Yes. Does it sound weird? Yes.

Slavery was real in Africa. Yes

Africa was the Ground Zero of slavery. Yes.

Wisconsin, Madison, 1994. Naming ceremony.

Wisconsin, Madison, 1994. Naming ceremony.

Wisconsin, Madison, 1994. Naming ceremony.

I was a college student.

One of my Nigerian colleagues had just finished his Ph.D., and he returned to Nigeria.

He had no idea that his girlfriend in Madison was pregnant.

When he was contacted, he decided that he was not returning to the US.

The pregnant girlfriend decided she was not going to Nigeria to join him.

A PICTURE OF ONE OF THE SCULPTURES FROM THE AKODI ORISA

Oluorogbo–the first scholar.

Oluorogbo–the first scholar.

In Ile Ife is a fellow to whom the invention of writing is ascribed.

His name is Oluorogbo.

(But this fellow is different from Olurorogbo, the son of Moremi).

Over the centuries, Oluorogbo’s scripts have disappeared because his books were buried during a conflict–a failed attempt to preserve the scripts and prevent them from getting into the hands of the enemies.