This is the latest Portrait of Moyo Okediji by a young Nigerian artist, Femi Okediji. I really enjoy his mastery of chiaroscuro. The loose strokes of his composition merge structurally into a coherent musical gradient that gives form to my facial expression.
The fellow hiding in this picture is easy to find, right
Artist: Pelumi Ponmile
Title: Portrait of Moyo Okediji
Medium: Collage
Date: 2018
Can you find the woman hiding in this picture?
If you make a guess, check your inbox. I will send you the answer.
Back to the studio.
Nobody, except I tell them, can figure out that in this painting lies a figure.
If you can decipher the figure, tell me what you see.
If you take a guess, I will inbox you with the answer.
Soon after you make a guess, check your inbox for the answer.
How does one translate ÌKÚNLẸ̀ ABIYAMỌ into English, yet retain the picture that that term conveys in the original Yoruba context?
The word “childbirth,” which is the direct translation of ÌKÚNLẸ̀ ABIYAMỌ does not give the picture of the kneeling woman, giving birth to a child.
My gallery space, Austin, TX.
FISHES OR CRABS
ẸJA M BÁKÀN?
Artist: Moyo Okediji
Title: Fishes or Crabs? (Ẹja m Bákàn?)
Medium: Acrylic on canvas
Date: 2018
Artists: Moyo Okediji with Foluke Olukanmi and Jumoke Awodeyin.
Title: Gudugudu
Medium: Installation
Date: 2018.
Akodi Orisa, Ile Ife.
Artist: Moyo Okediji
Title: Why the Tortoise and the Dog Quarrel All the Time.
Medium: Acrylic on Canvas
Date: 2018
Ifa reads the ọpọ́n of 2019 elections in Nigeria and shakes his head at Ìwòrì Méjì, which says inter alia, that:
Pregnant women will no longer be delivered.
The barren ones will remain barren.
The sick will remain infirm.
Small rivers will dry up.