Happy Valentine’s Day
Happy Valentine’s Day, my friends. I love you all minus none.
Me, here, painting away on a beautiful Valentine’s Day, seven years ago.
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Another African child born in this US exile.
Another African child born in this US exile. Truckloads of soldiers were speeding down the street in their huge vehicles. I felt I was dreaming but it was true:
As usual, I sat in front of my mother’s textiles shop, feeding my eyes with the typically boring activities on the narrow street.
Nothing really ever happened.
THE DILEMMA OF ABANDONING YOUR LANGUAGE
For the first time in my life, I traveled out of Nigeria in 1983 to visit London for a solo exhibition of my work at the Africa Center.
Rufus Orisayomi had arranged the exhibition for me.
Tunde Fagbenle and his wife, Ally Bedford, offered to host me at their home.
Ally was writing a Master’s thesis on my work, therefore, it was convenient for her to keep me close by to enable her to have access to me for clarifications when needed.
Someone just purchased this work, The Middle Passage.
Someone just purchased this work, The Middle Passage.
Smart move, I think.
Art is the smartest investment you can make.
Unlike the stock market, when the market falls, your investment does not go poof into thin air–as billions of dollars are disappearing during this COVID-19 market
A TALE OF THREE ROBBERS
My father told me the story of three thieves. He was a fiction writer, so I never knew if it was something he made up, or read up.
But let me tell you the tale if you got one minute:
Three thieves received info that a miner kept a large bundle of gold in his house. They decided they should go and relieve the guy of his treasure. “After all,” argued one thief, “he dug up this stone from the ground that God gave all of us.”
A cold saturday
It was very cold last Saturday when we celebrated our annual Egungun Festival. But the òtútù did not deter us from celebrating our ancestral heritage.
Next year we will still be here to celebrate again.
