A wonderful gift
Afolabi Damilare’s portrait of Moyo Okediji.
Thanks for this wonderful gift, Afolabi
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Fear Not the Storm
Fear Not the Storm
Àwa kò bẹ̀rù (We are not afraid)
Àyà kò fò wá (Scared are we not)
Olódùmarè lalákǒso (The Almighty is in charge)
Kò sí bí ìjì náà ṣe lè tó (However wild the storm may rage)
Àwa ọmọ Irúnmọlẹ̀ (We are the children of Divine forces)
Another beautiful day
Another beautiful day to enjoy the sweetness of sunlight.
LOOKING BACK
LOOKING BACK
I
Exile, however sweet,
for home makes the heart yearn.
Àjò kìí dùn
kónílé gbàgbé ilé.
I colored the Yoruba proverb above for emphasis.
Why?
Because everybody living in Nigeria is a hero.
It is often akin to being a kamikaze pilot in WWII.
They just survived the #EndSars uprising.
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
And it still remains legible.
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
THE TRUTH
You shall know the truth, and the truth will set you free.
The rubber is beginning to bite the tarmac.
‘Ògidi ọmọ Yorùbá ni mí, mò fẹ́ràn èdè àti àṣà Yorùbá púpọ̀’.