Working it out in the studio.
Working it out in the studio.
Interested in some of my published works?
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Captive No More (Part VII)
The mighty and resplendent Iya Iroko
tree had remained rooted
to the same spot
near the Oba river
for three hundred and sixty-four seasons
watching the ways of humans
from the viewpoint of a plant
under which folks sat
The Crossroads
I went into my garage and found a harvest of forgotten canvases waiting for me.
This corona break has given me some time to look at what I already have produced.
This is the last painting I did in 1992, just before leaving Nigeria.
You will notice that it is made from gouache.
Ifa reads
Ifa reads the ọpọ́n of 2019 elections in Nigeria and shakes his head at Ìwòrì Méjì, which says inter alia, that:
Pregnant women will no longer be delivered.
The barren ones will remain barren.
The sick will remain infirm.
Small rivers will dry up.
MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
There’s nobody who will see this place and not be afraid
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
Who Is Your Body?
Who Is Your Body? Your body Is the greatest miracle happening now It is not dying…