Three weeks of painting.
Three weeks of painting.
It started as a butterfly.
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KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
Professor Adeleke Adeeko has used my recent painting for the cover of his new book, titled KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
It is a translation of Femi Osofisan’s book, titled CHOLERA COLLEGE.
Professor Adeeko teaches at Ohio State University, Columbus, OH.
Ọ̀yẹ̀kú Méjì Dome
Architect-artist: Moyo Okediji Curator: Bisola Oladunjoye Builders: The Àkòdì Òrìṣà artists Title: Ọ̀yẹ̀kú Méjì Dome Date: 2018 Location: Ile Ife, NigeriaIn this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
THE BAIT
THE BAIT
To trap a chicken,
a few grains of corn.
to trap a dog
just a bone
to trap the antelope
okra is enough
To trap a cobra
the egg of a chicken
The Crossroads
I went into my garage and found a harvest of forgotten canvases waiting for me.
This corona break has given me some time to look at what I already have produced.
This is the last painting I did in 1992, just before leaving Nigeria.
You will notice that it is made from gouache.
The installation
I am installing huge paintings by Adetola Wewe inside my gallery in Austin Texas.
Adetola Wewe is the first resident fellow of the University of African Art, Austin, Texas Campus.
WHAT DIDN’T YOU SEE?
Plenty to see and ponder,
so very much to read and wonder
in a half-penny newspaper.
First, you must see the three Magi
Looking to find the Messiah
At the throne of Herod?
The Three Mega-Pharmacies
Looking for the Corona Virus
didn’t start their search
in the manger scenes of Bethlehem.