THE WORK IS DONE.
Done.
256 codes of Ifa completed.
I believe I do fly.
We all fly.
High above the clouds of limitations, we soar.
Interested in some of my published works?
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Done.
256 codes of Ifa completed.
I believe I do fly.
We all fly.
High above the clouds of limitations, we soar.
SAY IT NOW
When you speak to yourself at night
be not afraid to speak truth
to thunder using the language of proverbs
to deliver music to homeless soldiers
eating from street dumpsters
with long spoons dining with the devil
wearing rifles loaded with a silver lining
The idea of the coronavirus as Èrè, may be found in the Ifa verse here. The Yoruba verse is above, with the English translation below:
Èrè délé Alárá
Ó kólé Alárá
Èrè délé Ajerò
Ó kólé Ajerò
5. Èrè délé Ọwáràngún Àgà
Ó jẹlé Ọwáràngún Àgà
Ìròhìn kàn bá Ọ̀rúnmìlá
Wípé Èrè ti dájọ́, ó ti móṣù
“Ó dàbọ̀,” which is what stands for the idea of goodbye, actually is the very opposite of goodbye.Why? Because “Ó dàbọ̀” does not say that you are leaving.Rather, as you depart, you are speaking of “àbọ̀,” meaning, “the return.”As you depart, you begin to celebrate your return.
Gbogbo igi kọ́ lejò ń gùn (Not all trees can be scaled by the snake)
Gbogbo omi kọ́ lẹdun ń mu (The colobus monkey doesn’t drink all types of water)
Àyàfi wèrè, àyàfi dìgbòlugi (Only the insane, only the raving lunatic)
When nobody supports you,
when everybody says no to you,
when people turn down your requests,
and you cannot get any grant
when they band together to oppose you,
and say your ideas are not practical
and they frown when they see you:
don’t despair;
these are signs that you are moving in the right direction;
keep placing one foot ahead of the other
continue to push ahead
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.